Translation of "Bessie" to Portuguese language:
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Examples (External sources, not reviewed)
| On July 24, 1903, London told Bessie he was leaving and moved out. | Em 24 de julho de 1903, London disse a Bessie que estava saindo de casa. |
| That year also saw the first recording by Bessie Smith, the most famous of the 1920s blues singers. | Naquele ano Bessie Smith, famosa cantora de blues, também gravou pela primeira vez. |
| Diane Keaton played her estranged sister Bessie, a woman battling leukemia, and Streep recommended Keaton for the role. | Diane Keaton interpretou a sua distante irmã, uma mulher em luta contra a leucemia, papel para o qual Meryl foi considerada inicialmente. |
| Their first child, Joan, was born on January 15, 1901 and their second, Bessie (later called Becky), on October 20, 1902. | Sua primeira filha, Joan, nasceu em 15 de janeiro de 1901 e a segunda, Bessie (mais tarde chamada de Becky), em 20 de outubro de 1902. |
| Roger Ebert stated that Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems. | Roger Ebert escreveu que Streep e Keaton, em seus diferentes estilos, encontraram maneiras de fazer de Lee e Bessie muito mais do que a expressão de seus problemas. |
| That year, once more flying her faithful Vega which Earhart had tagged old Bessie, the fire horse, she soloed from Los Angeles to Mexico City on April 19. | Nesse mesmo ano, novamente voando seu fiel Vega que ela chamou velha Bessie, o cavalo de fogo , Earhart voou sozinha de Los Angeles à Cidade do México em 19 de abril. |
| Jimmie Rodgers, the first true country star , was known as the Blue Yodeler , and most of his songs used blues based chord progressions, although with very different instrumentation and sound from the recordings of his black contemporaries like Blind Lemon Jefferson and Bessie Smith. | Jimmie Rodgers, o primeiro astro do country de verdade , era conhecido como Blue Yodeler , embora com instrumentação e sonoridade bastante diferente de seus contemporâneos Blind Lemon Jefferson e Bessie Smith. |
| In his quest to take up Stieglitz's challenge, Copland had few established American contemporaries to emulate apart from Carl Ruggles and the reclusive Charles Ives, although the 1920s were Golden Years for American popular music and jazz, with George Gershwin, Bessie Smith, and Louis Armstrong leading the way. | Na busca para ocupar o desafio de Stieglitz, Copland teve poucos artistas americanos consagrados para se inspirar, além de Carl Ruggles e Charles Ives, embora os anos 1920 tenham sido os anos dourados da música popular e do jazz, nos Estados Unidos. |
| During this time, Armstrong made many recordings on the side, arranged by an old friend from New Orleans, pianist Clarence Williams these included small jazz band sides with the Williams Blue Five (some of the best pairing Armstrong with one of Armstrong's few rivals in fiery technique and ideas, Sidney Bechet) and a series of accompaniments with blues singers, including Bessie Smith, Ma Rainey, and Alberta Hunter. | Durante esta altura, Armstrong efectuou várias gravações, arranjadas por um seu velho amigo de Nova Orleães, o pianista Clarence Williams, estas incluíam concertos de banda Williams Blue Five (na qual Armstrong entrava), alguns solos de jazz e uma série de acompanhamentos com tocadores de Blues, incluindo Bessie Smith, Ma Rainey e Alberta Hunter. |
