Translation of "Steiner" to Portuguese language:
Dictionary English-Portuguese
Examples (External sources, not reviewed)
| Steiner, Peter. | Steiner, Peter. |
| Stuttgart F. Steiner. | Stuttgart F. Steiner. |
| Steiner, D. and M. Nauser (eds.). | Petrópolis, RJ, Vozes, 1970Pierson, Donald (org). |
| Styles, Scott Steiner, Tomko, and Abyss. | Styles, Scott Steiner, Tomko e Abyss. |
| Franz Steiner Verlag, ISBN 3 515 07070 2. | Franz Steiner Verlag, ISBN 3 515 07070 2. |
| Scott Steiner joined the group the following week. | Scott Steiner uniu se a eles na semana seguinte. |
| Afterwards, Angle was saved from another beatdown by the returning Scott Steiner. | A dupla de Angle foi derrotada, com Scott Steiner o salvando de um ataque. |
| When this happens language becomes de familiarized and utterances become poetic' (Steiner, Russian Formalism 22). | Quando isso acontece, a linguagem torna se desfamiliarizada e o discurso torna se poético' (Steiner, Russian Formalism , p. 22). |
| The following week Fortune turned on Immortal and aligned themselves with Angle, Crimson and Steiner. | Na semana seguinte, Fortune traiu Immortal e aliou se a Angle, Crimson e Steiner. |
| Chamberlain, Owen Keller, Donald V. Mermond, Ronald Segre, Emilio Steiner, Herbert M. Ypsilantis, Tom, (July 1957). | Chamberlain, Owen Keller, Donald V. Mermond, Ronald Segre, Emilio Steiner, Herbert M. Ypsilantis, Tom, (July 1957). |
| Eden Cinema , 1992) Le Navire Night , suivi de Cesarée, les Mains négatives, Aurélia Steiner, Mercure de France, 1979. | Eden Cinema, 1992) Le Navire Night, suivi de Cesarée, les Mains négatives, Aurélia Steiner, Mercure de France, 1979. |
| Benoit spent some time in ECW feuding with The Steiner Brothers and rekindling the feud with 2 Cold Scorpio. | Benoit manteve uma rivalidade com The Steiner Brothers. |
| They utilized the similarity between organic bodies and literary phenomena in two different ways as it applied to individual works and to literary genres (Steiner, Russian Formalism 19). | Eles utilizaram a similaridade entre corpos orgânicos e o fenômeno literário em duas formas diferentes ela aplicada ao trabalho individual e aos gêneros literários (Steiner, Russian Formalism , p. 19). |
| Devised in the 1920s by Rudolf Steiner (1861 1925) in conjunction with Ita Wegman (1876 1943), anthroposophical medicine is based on occult notions and draws on Steiner's spiritual philosophy, which he called anthroposophy. | O sistema médico antroposófico foi fundado em 1920 por Rudolf Steiner em conjunto com Ita Wegman como uma extensão à medicina convencional baseado na filosofia espiritual da Antroposofia. |
| And, insofar as the literary theoretical paradigms which Russian Formalism inaugurated are still with us, it stands not as a historical curiosity but a vital presence in the theoretical discourse of our day (Steiner, Russian Formalism 29). | E, enquanto os paradigmas teórico literários que o formalismo russo criou estão ainda conosco, ele permanece não como alguma curiosidade histórica, mas como uma presença vital no discurso teórico de nossos dias (Steiner, Russian Formalism , p. 29). |
| Literary works, according to this model, resemble machines they are the result of an intentional human activity in which a specific skill transforms raw material into a complex mechanism suitable for a particular purpose (Steiner, Russian Formalism 18). | Obras literárias, de acordo com esse modelo, assemelham se a máquinas elas são o resultado de uma atividade humana intencional na qual uma habilidade específica transforma matéria bruta num mecanismo complexo adequado para um propósito particular (Steiner, Russian Formalism , p. 18). |
| Since the binary opposition material vs. device cannot account for the organic unity of the work, Zhirmunsky augmented it in 1919 with a third term, the teleological concept of style as the unity of devices (Steiner, Russian Formalism 19). | Enquanto a oposição binária material versus dispositivo não explica a unidade orgânica de trabalho, Zhirmunsky a complementou em 1919 com um terceiro termo, o conceito teleológico de estilo como a união de dispotivos (Steiner, Russian Formalism , p. 19). |
| Alexander Courage, composer of the original Star Trek theme, provided arrangements to accompany Kirk's log entries, while Fred Steiner wrote eleven cues of additional music, notably the music to accompany the Enterprise achieving warp speed and first meeting V'Ger. | Alexander Courage, compositor do tema original de Star Trek , fez arranjos de seu tema para as sequências onde Kirk grava seus diários, enquanto Fred Steiner escreveu as músicas de quando a Enterprise entra em dobra e encontra V'Ger pela primeira vez. |
| Quellen, Terminologie, Kommentar, historische Entwicklung, Stuttgart 2007 (Franz Steiner Verlag) E. E. Evans Pritchard, Witchcraft, oracles, and magic among the Azande (1976) Toufic Fahd, La divination arabe études religieuses, sociologiques et folkloriques sur le milieu natif d Islam (1966) Philip K. Hitti. | Quellen, Terminologie, Kommentar, historische Entwicklung, Stuttgart 2007 (Franz Steiner Verlag) E. E. Evans Pritchard, Witchcraft, oracles, and magic among the Azande (1976) Toufic Fahd, La divination arabe études religieuses, sociologiques et folkloriques sur le milieu natif d Islam (1966) Philip K. Hitti. |
| At Final Resolution, Angle was booked to defeat Samoa Joe in a thirty minute Iron Man match 3 2 to earn a shot at the NWA World Heavyweight Championship at Against All Odds, which he lost to Christian Cage after interference from Tomko and Scott Steiner. | No Final Resolution, Angle derrotou Samoa Joe em uma luta Iron Man de meia hora para conquistar o direito por uma luta pelo Campeonato Mundial dos Pesos Pesados da NWA no Against All Odds, onde foi derrotado por Christian Cage após interferência de Tomko e Scott Steiner. |
| Beyond the short works of source music (music whose source is seen or acknowledged onscreen) created for specific episodes, eight composers were contracted to create original dramatic underscore during the series run Alexander Courage, George Duning, Jerry Fielding, Gerald Fried, Sol Kaplan, Samuel Matlovsky, Joseph Mullendore, and Fred Steiner. | Oito compositores foram contratados para criar a trilha sonora da série em sua exibição original Alexander Courage, George Duning, Jerry Fielding, Gerald Fried, Sol Kaplan, Samuel Matlovsky, Joseph Mullendore e Fred Steiner. |
| Just as each individual organism shares certain features with other organisms of its type, and species that resemble each other belong to the same genus, the individual work is similar to other works of its form and homologous literary forms belong to the same genre (Steiner, Russian Formalism 19). | Assim como cada organismo individual compartilha certas características com outros organismos do seu tipo, a obra individual é parecida com outras obras de mesma forma e formas literárias homólogas pertencem ao mesmo estilo (Steiner, Russian Formalism , p. 19). |
| Rosicrucian Initiate In the fall of 1907, during a most successful period of lectures in Minnesota, he travelled to Berlin (Germany) with his friend Dr. Alma Von Brandis, who had been for months trying to persuade him, in order to hear a cycle of lectures by a teacher in the occult field called Rudolf Steiner. | Iniciado Rosacruz No Outono de 1907, durante um período de conferências de bastante sucesso, viajou para a Berlim, Alemanha com a sua amiga Alma von Brandis, que durante vários meses o tentava persuadir para assistir a um ciclo de conferências de um professor do oculto chamado Rudolf Steiner. |
| 1 (1984) Steiner, Zara, Britain and the Origins of the First World War Macmillan Press, 1977 ISBN 0 312 09818 9 Stevenson, David, Cataclysm The First World War As Political Tragedy (2004) major reinterpretation ISBN 0 465 08184 3 Stevenson, David, The First World War and International Politics (Oxford University Press, 1998)ISBN 0 198 20281 4 Strachan, Hew. | Cataclysm The First World War As Political Tragedy (2004) major reinterpretation ISBN 0 465 08184 3 Stevenson, David. |
| Two general principles underlie the Formalist study of literature first, literature itself, or rather, those of its features that distinguish it from other human activities, must constitute the object of inquiry of literary theory second, literary facts have to be prioritized over the metaphysical commitments of literary criticism, whether philosophical, aesthetic or psychological (Steiner, Russian Formalism 16). | Dois princípios gerais fundamentam o estudo formalista de literatura primeiro, a literatura por ela mesma, ou especialmente, as características que a distinguem de outras atividades humanas devem constituir o objeto de inquisição da teoria literária segundo, 'fatos literários' têm de ser priorizados sobre os compromissos metafísicos da crítica literária (sejam filosóficos, estéticos ou psicológicos) (Steiner, Russian Formalism , p. 16). |
